What started out as a rather avant-garde art movement has become one of the greatest examples of art forms that have destroyed the style of the revolutionary meetings of European paintings and sculptures until the present century and developed. For the first time between 1908 and 1912, Georges Braque and Pablo Picasso were influenced by Paul Cezanne's work and tribal art. Even if the movement doesn't happen in the long run But it began to create an explosion that had a lasting impact and focused on the basic idea that the essence of an object can be recorded by acting from multiple perspectives.
The movement followed its path at the end of the First World War and influenced similar ideological qualities in precision movements, futurism and expressive movements. In paintings that represent the work of art by square artists, fracture objects and reassembled in abstract forms, and artists illustrate the matter in a variety of perspectives instead of a particular perspective. The surface appears to intersect with random angles to create a feeling without real depth, with the background and objects infiltrating each other and creating a shallow area of cubism.
French art critic Louis Vauxcelles first used the word cubism, and after looking at a piece of art produced by Braque, it was widely used, even if the creator didn't use it sometimes. The movement of square artists grew out of France at this time and quickly became a popular movement, until critics began to refer to the square school that was influenced by Braque and Picasso artists. Many people before the year 1920.
While Braque and Picasso continue to promote their concepts, they have to go through a couple of different stages in squareism. With the analysis of Cubism, the style was created, which included surfaces with very similar patterns of incomplete directional lines and models that played with each other. The first step came before the swing of Cubism. Some art forms still hold the smaller "Hermetic" phase in this analytical state, and the work produced is unique with its singularity and hard-to-decipher.
In the case of synthetic cubism, which began in 1912, is the second main period for cubism. These works consist of different overlapping parts. These pieces are painted or pasted on a canvas with a brighter color appearance. Unlike the point of analytical Cubism that divides objects into fragments, synthetic Cubism tries to bring many different objects to create a new style. This Cubism's steps also contribute to collage and friend Pierre paper. Picasso uses collage to complete the work.
Similar to collage in practice But is a very different style. Pressed paper consists of placing the material on a canvas with the shape that is placed to represent the object. Braque used to use letters. But the work of both artists began to use this idea with new extremes. At this point, the letter that had hinted about the object became an object as well. The newspaper scraps began to exercise. But from wood prints to advertisements, it's all the elements that are combined together later. Using mixed media and other mixing techniques to create new works, and Picasso began to take advantage of pointillism and point patterns to introduce planes and areas
At the end of the movement, with the help of Picasso and Braque, Cubism had more influence than just visual art. The Russian composer Igor Stravinsky was inspired by the cubism in his example of the music that composed the rhythms of ragtime and the melodies of his own country's influence in literature. Cubism influenced the poet. And their poems that have elements parallel to analytical and synthetic Cubism, and this poem often overlaps other movements such as Surrealism and Dadaism.
